Breaking benjamin - Here We Are
artist:breaking benjamin song:Here We Are "Here We Are" Sing it for me, I can't erase the stupid things I say. You're better than me, I struggle just to find a better way. [Chorus:] So here we are, fighting and trying to hide the scars. I'll be home tonight, take a breath and softly say goodbye. The lonely road, the one that I should try to walk alone. I'll be home tonight, take a breath and softly say goodbye. You wouldn't like me. Keep moving on until forever ends. Don't try to fight me. The beauty queen has lost her crown again. [Chorus] ...goodbye. So why are you so eager to betray? Pick the pieces up, pick the pieces up. So why are you the one that walks away? Pick the pieces up, pick the pieces up, pick the pieces up. O-oh. [Chorus] Just take a breath and softly say goodbye
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Michael Jackson - They Don'T Care About Us
"They Don't Care About Us" is the fourth single from Michael Jackson's album HIStory: Past, Present and Future, Book I, released on April 1, 1996. The song remains one of the most controversial pieces Jackson ever composed. In the US, media scrutiny surrounding alleged antisemitic lyrics were the catalyst for Jackson issuing multiple apologies and re-recording the album—altering the lyrics for that particular track. The singer countered allegations of antisemitism, arguing that reviews had misinterpreted the context of the song, either unintentionally or deliberately. Musically, it is an aggressive hip-hop production about social ills. The song was accompanied by two music videos directed by Spike Lee. The first was shot in a shantytown of Rio de Janeiro, and Salvador where State authorities tried to ban all production over fears the video would damage their image, the area and prospects of staging the 2004 Olympics. Still, the residents of the area were happy to see the singer, hoping their problems would be made visible to a wider audience. The second video was shot in a prison and contained video footage of multiple references to human rights abuses. Commercially, the song became a top ten hit in all European countries and number one in Germany for three weeks. In the US, radio stations were reluctant to play the controversial composition; it, however, managed to peak at number 30 on the Billboard Hot 100.
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Tsar Bomb - The biggest bomb ever
The bomb was tested on October 30, 1961 in Novaya Zemlya, an island in the Arctic Sea. The 57MT-bomb exploded and a mushroom cloud with a height of 64km rose to the sky...
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Franz Ferdinand Studio album by Franz Ferdinand Released 9 February 2004 Recorded 2003 Genre Post-punk, indie rock Length 38:45 (single disc) 54:35 (double disc) Label Domino Records Producer Franz Ferdinand, Tore Johansson Franz Ferdinand is the debut album by Scottish indie rock band Franz Ferdinand, released in early 2004. It entered the United Kingdom album charts at number three in February 2004 and contains three UK top ten singles: "Take Me Out", "This Fire" (on the download chart) and "The Dark of the Matinée" or "Matinée". Franz Ferdinand won the 2004 Mercury Music Prize. The album has since sold over 3.6 million copies worldwide. The album is notable as one of the very few modern albums that are not compressed to the max in participation of the loudness war. Chart performance The album entered the UK album charts at #3 in February 2004 and at #12 on the Australian ARIA album charts in April 2004. The album entered the Billboard 200 album charts on April 26, 2004, and climbed slowly, peaking at #32 in December 2004. It reached #2 on the Heatseeker chart for new acts. As of September 2004, there have been five different singles released from the album: The "Darts of Pleasure" EP reached the top 50 of the UK singles charts in September 2003. "Take Me Out" reached the top 5 of the UK charts, top 10 of the Irish charts and top 40 in a composite European chart. "The Dark of the Matinée" or "Matinée" reached the top 10 of the UK singles charts and top 30 of the World Modern Rock Charts (a composite chart of United States, German, UK, Swedish, Finnish, Canadian and Australian modern rock charts). "Michael" reached the top 20 of the UK singles charts in August 2004. "This Fire" only first played by KROQ in September 2004. Take Me Out was voted #1 in the national Australian music poll, the Triple J Hottest 100 (2004) and This Fire and The Dark of the Matinée were placed at #29 and #50, respectively Track History: "Michael" is a song by Franz Ferdinand and was the fourth single released from their debut self-titled album. The song was notable for its homoerotic lyrics such as "stubble on my sticky lips" and "beautiful boys on a beautiful dancefloor". The singer, Alex Kapranos, stated in an interview that the song was written about two friends of his — "It was one night when me and the band were out with friends from Glasgow, and we went to this warehouse dance party thing called Disco X. It was a very debauched night and these two friends got it together in a very sexy way." Lyrics: This is where I'll be so heavenly, so come and dance with me Michael So sexy, I'm sexy, so come and dance with me Michael I'm all that you see, you wanna see, so come and dance with me Michael So close now, so close now, so come and dance with me, so come and dance with me, so come and dance with me Michael, you're the boy with all the leather hips, sticky hair, sticky hips, stubble on my sticky lips Michael, you're the only one I'd ever want only one I'd ever want only one I'd ever want Beautiful boys on a beautiful dancefloor Michael, you're dancing like a beautiful dance whore Michael, waiting on a silver platter now ... and nothing matters now This is what I am, I am a man so come and dance with me Michael So strong now, its strong now so come and dance with me Michael I'm all that you see, you wanna see so come and dance with me Michael So close now, its close now, so come and dance with me, so come and dance with me, SO COME AND DANCE WITH ME Michael, you're the boy with all the leather hips, sticky hair, sticky hips, stubble on my sticky hips Michael, you're the only one I'd ever want only one I'd ever want only one I'd ever want Beautiful boys on a beautiful dancefloor Michael, you're dancing like a beautiful dance whore Michael, waiting on a silver platter now ... and nothing matters now Michael, you're the only one I'd ever want only one I'd ever want only one I'd ever want (twice) Beautiful boys on a beautiful dancefloor Michael, you're dancing like a beautiful dance whore Michael, waiting on a silver platter now, nothing matters now, nothing Matters now but you YEAH... On Set: Alex Kapranos -- lead guitar, lead vocals Nick McCarthy -- rhythm guitar, vocals, keyboards Bob Hardy -- bass guitar Paul Thomson -- drums, percussion, backing vocals Andy Knowles (touring only) -- drums, keyboards, guitar
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I am walking away...and I'm walking away I'm walking away, from the troubles in my life I'm walking away, oh to find a better day I'm walking away, from the troubles in my life I'm walking away, oh to find a better day I'm walking away Sometimes some people get me wrong, when it's something I've said or done Sometimes you feel there is no fun, that's why you turn and run But now I truly realise, some people don't wanna compromise I saw them with my own eyes spreading those lies, and Well I don't wanna live my life, too many sleepless nights Not mentioning the fights, I'm sorry to say lady I'm walking away, from the troubles in my life I'm walking away, oh to find a better day I'm walking away, from the troubles in my life I'm walking away, oh to find a better day I am walking away...and I'm walking away I am walking away...and I'm walking away I'm walking away, from the troubles in my life I'm walking away, oh to find a better day...
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also, anfang + ende + musik + n haufen anderer kleiner vids in die mitte sind ein wenig geschnipselt, damit das video genau wie der song 2minuten lang wird... habs auch möglichst so vom tempo laufen lassen , dass bei stellen im song, (.z.B. "i got my head check", - katze läuft mit kopf gegen schädel) das von den lyrics zum vid passt :D das video selbst, ist schon sehr alt, das stimmt, das gibts schon lang im netz, aber mir hat die musik nicht gefalln, hat irgendwie nicht zum themata gepasst... naja so long, seraph.
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Lachen in der U-Bahn - www.lachen-verbindet.de
Ein grauer Novemberabend in Berlin - und die U-Bahn lacht! Gedreht von Matt Grau. Die Initiative "Hauptstadt lacht" unterwegs...
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[Good Quality] Deftones ft. System of a Down -Toxicity (2009 - Benefit Show for Chi Cheng)
Deftones and System of a Down playing Toxicity in Benefit Show 4 Chi Cheng (bass of Deftones)
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50 Cent - Candy Shop W/ Lyrics
50 Cent - Candy Shop W/ Lyrics [[Didn't chipmunk song, sounded like shit.]] Yeah... Uh huh So seductive [Chorus: 50 Cent & Olivia] [50 Cent] I'll take you to the candy shop I'll let you lick the lollypop Go 'head girl, don't you stop Keep going 'til you hit the spot (woah) [Olivia] I'll take you to the candy shop Boy one taste of what I got I'll have you spending all you got Keep going 'til you hit the spot (woah) [Verse 1: 50 Cent] You can have it your way, how do you want it You gon' back that thing up or should i push up on it Temperature rising, okay lets go to the next level Dance floor jam packed, hot as a teakettle I'll break it down for you now, baby it's simple If you be a nympho, I'll be a nympho In the hotel or in the back of the rental On the beach or in the park, it's whatever you into Got the magic stick, I'm the love doctor Have your friends teasin you 'bout how sprung I gotcha Wanna show me how you work it baby, no problem Get on top then get to bouncing round like a low rider I'm a seasons vet when it come to this shit After you work up a sweat you can play with the stick I'm tryin to explain baby the best way I can I melt in your mouth girl, not in your hands (ha ha) [Chorus] [Bridge: 50 Cent & Olivia] Girl what we do (what we do) And where we do (and where we do) The things we do (things we do) Are just between me and you (oh yeah) [Verse 2: 50 Cent] Give it to me baby, nice and slow Climb on top, ride like you in the rodeo You ain't never heard a sound like this before Cause I ain't never put it down like this Soon as I come through the door she get to pullin on my zipper It's like it's a race who can get undressed quicker Isn't it ironic how erotic it is to watch em in thongs Had me thinking 'bout that ass after I'm gone I touch the right spot at the right time Lights on or lights off, she like it from behind So seductive, you should see the way she wind Her hips in slow-mo on the floor when we grind As Long as she ain't stoppin, homie I aint stoppin Drippin wet with sweat man its on and popping All my champagne campaign, bottle after bottle its on And we gon' sip til every bubble in every bottle is gone [Chorus 2x]
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Pussycat Dolls - When I Grow Up (Live @ The Ellen Degeneres Show 9/23/08)
Pussycat Dolls - When I Grow Up (Live @ The Ellen Degeneres Show 9/23/08) http://pcd521.co.cc/
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