Videos with tag belly
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Eminem - Love the Way You Lie (feat. Rihanna) MUSIC VIDEO

download link: http://usershare.net/nza7n93sg6tz truth soul forever truth soul forever truth soul forever truth soul forever truth soul forever truth soul forever truth soul forever truth soul forever Eminem - Love the Way You Lie (feat. Rihanna) MUSIC VIDEO Eminem - Love the Way You Lie (feat. Rihanna) MUSIC VIDEO Eminem - Love the Way You Lie (feat. Rihanna) MUSIC VIDEO recovery album download

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EMINEM - Love the Way You Lie (feat. Rihanna)

RATE AND COMMENT! download: http://www.sendspace.com/file/6l1hf4 Love the Way You Lie (feat. Rihanna) eminem Love the Way You Lie (feat. Rihanna) eminem Love the Way You Lie (feat. Rihanna) eminem Love the Way You Lie (feat. Rihanna) eminem Love the Way You Lie (feat. Rihanna) eminem Love the Way You Lie (feat. Rihanna) eminem

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Shakira n Alejandro Sanz - La Tortura Live (sexy)

Shakira concert Shakira: No pido que todos los días sean de sol No pido que todos los viernes sean de fiesta Tampoco te pido que vuelvas rogando perdón Si lloras con los ojos secos Y hablando de ella. Ay amor me duele tanto (Alejandro Sanz)Me duele tanto (Shakira)Que te fueras sin decir a donde Ay amor, fue una tortura perderte. Alejandro Sanz: Yo se que no he sido un santo Pero lo puedo arreglar amor Shakira: No solo de pan vive el hombre Y no de excusas vivo yo. Alejandro Sanz: Solo de errores se aprende Y hoy se que es tuyo mi corazón Shakira: Mejor te guardas todo eso A otro perro con ese hueso Y nos decimos adiós Alejandro Sanz:Esto es otra vez esto es otra vez no. Shakira: No puedo pedir que el invierno perdone a un rosal No puedo pedir a los olmos que entreguen peras No puedo pedirle lo eterno a un simple mortal Y andar arrojando a los cerdos miles de perlas Alejandro Sanz: Ay amor me duele tanto Me duele tanto Que no creas más en mis promesas Ay amor (Shakira) es una tortura (Alejandro Sanz) perderte (Shakira) Alejandro Sanz: Yo se que no he sido un santo Pero lo puedo arreglar amor Shakira: No solo de pan vive el hombre Y no de excusas vivo yo. Alejandro Sanz: Solo de errores se aprende Y hoy se que es tuyo mi corazón Shakira: Mejor te guardas todo eso A otro perro con ese hueso Y nos decimos adiós Alejandro Sanz: No te bajes, no te rajes Oye negrita mira, no te rajes De lunes a viernes tienes mi amor Déjame el sábado a mi que es mejor Oye mi negra no me castigues más Porque allá afuera sin ti no tengo paz Yo solo soy un hombre arrepentido Soy como el ave que vuelve a su nido Yo se que no he sido un santo y es que no estoy hecho de cartón Shakira: No solo de pan vive el hombre Y no de excusas vivo yo. Alejandro Sanz: Solo de errores se aprende Y hoy se que es tuyo mi corazón Shakira: Ay ay ay ay ay Ay, todo lo que he hecho por ti Una tortura perderte Me duele tanto que sea asi Sigue llorando perdón Yo... yo no voy A llorar por ti ...

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Arabic Shakira

Shakira

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Shakira Dancing Ojos Asi

Shakira's Concert at Toyota Center

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Shakira Live & Off The Record Part 13-18 - Ready For The Good Times

Shakira - Ready For The Good Times LYRICS: I don't wanna clear the cobwebs from my head Time will bring them back I bet So if you hear me say that I believe in love Don't make me feel ashamed I used to sing the saddest songs And while in the meantime roaches used to climb my door Falling back down to the floor I used to read survival guides When my world was full of seven legged cats But here I am with eight more lives I'm ready for the good times I'm ready for the good times Ready to get it on I'm ready for the good times I'm ready for the good times Now that I'm not alone Oh Oh Oh Oh Oh Oh Oh Oh Oh Oh Oh Oh You know it Oh Oh Oh Oh Oh Oh Oh Oh You better not Ignore it I don't want to look at fashion magazines While someone does my nails Sitting here watching other people live Frozen by the fear to fail Cause, everyday there's a war to fight And if i win or lose never mind As long as you're my shelter every night I used to cry against a wall But now I've got a shoulder that I can lean on Swear to me you won't be gone I'm ready for the good times I'm ready for the good times Ready to get it on I'm ready for the good times I'm ready for the good times Now that I'm not alone

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shakira belly dance - the most attraction of dubai decert drive and night camps

bellydance-Belly dance is a Western term for a traditional Middle Eastern dance form. Some American devotees refer to it simply as "Middle Eastern Dance." In the Arabic language it is known as raqs sharqi (رقص شرقي; literally "oriental dance") or sometimes raqs baladi (رقص بلدي; literally "national" or "folk" dance). The term "raqs sharqi" may have originated in Egypt. In Greece and the Balkans, belly dance is called tsiftetelli (τσιφτετέλι). The term belly-dance is a creation of Orientalism, and is first attested in English in 1899, translating French danse du ventre Native to North Africa, Asia, and the Middle East, belly dancing is based on one of the oldest social dances in world history. Much of the support for this theory stems from the similarities between poses in ancient Egyptian artwork and the modern dance.[citation needed] There are two forms of belly dancing. The first is called raqs baladi, a social dance performed by people of all ages and by both sexes, during festive occasions- such as weddings- and other social gatherings for fun and celebration. The second form- the more theatrical version- is called raqs sharqi, and it is this type that is most popular in America today. Like raks baladi, raks sharqi is performed by both male and female dancers. Where belly dancing is a native dance, boys and girls learn it from an early age. As with many social dances, children learn it informally, by observing and imitating their elders during family and community celebrations, as well as during informal gatherings with friends.[citation needed] Today, these ancient dances are taught in classes offered throughout the world, and skilled dancers are able to share their knowledge that has been passed down from the indigenous peoples who created them. [edit] Origins The exact origin of this dance form is actively debated among dance enthusiasts, especially given the limited academic research on the topic. Much of the research in this area has been done by dancers attempting to understand their dance's origins. However, the often overlooked fact that most dancing in the Middle East occurs in the social context rather than the more visible and glamorous context of the professional nightclub dancers,[citation needed] has led to an overall misunderstanding of the dance's true nature and has given rise to many conflicting theories about its origins. Because this dance is a fusion of many dance styles, it undoubtedly has many different origins -- many of them in ethnic folk dances. The most popular form of bellydancing is known as the "Hoobie Shimmy." Many dancers subscribe to one or another of a number of theories regarding the origins of the form. Some of these theories are that the dance form: * descended from indigenous dances of ancient Upper Egypt * descended from Greece, spreading with Alexander the Great * descended from a religious dance Temple Priestesses once practiced * had been a part of traditional birthing practices in the region(s) of origin * had spread from the migrations of the Romani people (also called "gypsies") and related groups, descended from the Banjara of Rajasthan[citation needed] in northwestern India. * originated in Uzbekistan, traveling to India through the slave trade. Of the theories, the first explanation is rarely invoked, even with such high-status proponents as the Egyptian Dancer Doctor Mo Geddawi promoting it. The most well-known theory is that it descended from a religious dance. This idea is usually the one referred to in mainstream articles on the topic, and has enjoyed a large amount of publicity. 1960s American singer/dancer Jamila Salimpour was one proponent. It was also popularized in works such as Earth Dancing and Grandmother's Secrets. The "birthing practices" theory covers a sub-set of dance movements in modern raqs sharqi. Strongly publicized by the research of the dancer/layperson anthropologist Morocco (also known as Carolina Varga Dinicu), it involves the rework of movements traditionally utilized to demonstrate or ease childbirth. Although lacking an "origin point", this theory does have the advantage of numerous oral historical references, and is backed by a commentary in the work The Dancer of Shamahka. Two points suggest Roma dance as its origin. The Roma, and other related groups, are seen as either having brought the form over as they traveled, or picked it up along the way and spread it around. Thanks to the conflation of Roma forms of dance into the raqs sharqi sphere in the West, these theories enjoy a vogue in the West that is not necessarily reflected in their original countries -- although some of that may be due to strongly-held prejudices against the Roma.[citation needed]

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Shakira Live & Off The Record Part 18-18 - Whenever, Wherever

Shakira - Whenever, Wherever LYRICS: Lucky you were born that far away so We could both make fun of distance Lucky that I love a foreign land for The lucky fact of your existence Baby I would climb the Andes solely To count the freckles on your body Never could imagine there were only Ten Million ways to love somebody Le ro lo le lo le, Le ro lo le lo le Can't you see I'm at your feet Whenever, wherever We're meant to be together I'll be there and you'll be near And that's the deal my dear Thereover, hereunder You'll never have to wonder We can always play by ear But that's the deal my dear Lucky that my lips not only mumble They spill kisses like a fountain Lucky that my breasts are small and humble So you don't confuse them with mountains Lucky I have strong legs like my mother To run for cover when I need it And these two eyes that for no other The day you leave will cry a river Le ro le le lo le, Le ro le le lo le At your feet I'm at your feet Whenever, wherever We're meant to be together I'll be there and you'll be near And that's the deal my dear Thereover, hereunder You'll never have to wonder We can always play by ear But that's the deal my dear Le ro le le lo le, Le ro le le lo le Think out loud Say it again Le ro lo le lo le lo le Tell me one more time That you'll live Lost in my eyes Whenever, wherever We're meant to be together I'll be there and you'll be near And that's the deal my dear Thereover, hereunder You've got me head over heels There's nothing left to fear If you really feel the way I feel

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Arabic Shakira Belly Dance Ojos Asi

Music

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Shakira Live & Off The Record Part 17-18 - Objection (Tango)

Shakira - Objection (Tango) LYRICS: It's not her fault that she's so irresistible But all the damage she's caused isn't fixable Every twenty seconds you repeat her name But when it comes to me you don't care If I'm alive or dead So objection I don't wanna be the exception To get a bit of your attention I love you for free and I'm not your mother But you don't even bother Objection I'm tired of this triangle Got dizzy dancing tango I'm falling apart in your hands again No way I've got to get away Next to her cheap silicon I look minimal That's why in front of your eyes I'm invisible But you gotta know small things also count You better put your feet on the ground And see what it's about so Objection I don't wanna be the exception To get a bit of your attention I love you for free and I'm not your mother But you don't even bother Objection the angles of this triagle Got dizzy dancing tango I'm falling apart in your hands again No way...no no no no no I wish there was a chance for you and me I wish you couldn't find a place to be Away from here This is pathetic and sardonic It's sadistic and psychotic Tango is not for three Was never meant to be But you can try it Rehearse it Or train like a horse But don't you count on me Don't you count on me boy Objection I don't wanna be the exception To get a bit of your attention I love you for free and I'm not your mother But you don't even bother Objection I'm tired of this triangle Got dizzy dancing tango I'm falling apart in your hands again No way I've got to get away Get away, get away, hey hey hey get away he hey I'm falling apart in your hands again get away hey hey I'm falling apart in your hands again get away get away

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Shakira Bellydance (full length) DUBAI

Shakira bellydances traditional style mixed with modern rock in Dubai Concert 2007 (clip from dvd)

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Ojos Asi- Shakira

~Latin Grammy Awards 2000~ This video is taken from the Latin Grammy Awards 2000.... I realli admired her dancing skills... Ojos Asi one of my favourite songs.. Hope ya like it!!

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